The Canon C100 was a weapon of choice for a project I shot nearly a year ago in Guatemala (documenting poverty and the impact on children & families by charitable giving) and then recently in Peru where small form factor and a filmic image were desired. Also, shooting with a documentary format would require both location sound via a shotgun mic and... Continue Reading →
… it's rare for most church tech guys to get what they feel they need in order to perform their jobs as well as they think they should.
After all the footage is captured for a film/video project, the video editor holds the most powerful set of tools to set the tone, create interest, and to move the story forward in a logical format. Shot angles are chosen, bad shots are tossed or fixed, and the sequence of events are adjusted to retain viewer curiosity... Continue Reading →
Most people think of the bottom line when it comes down to purchasing new equipment, and cost is certainly a consideration. However, if cost is your only connection, you are likely a bit short-sighted. Trinity's Media Department has been recommending the benefits of newer camera technology for years, noting greater creativity and enhanced connection of... Continue Reading →
Editing can be a nightmare when you shoot without a shot list, which makes me glad that I both shoot and edit,...
Production for me has moved from the basic run-and-gun video to full-scale crews and sizeable budgets. When the needs for productions grow, it gets difficult to call favors from your crew, and it seems that everyone wants their cut on the deal. As a producer, I need to keep this in mind, balancing the budget... Continue Reading →
Here's an article that was recently written by Christian Bell, pointing out several production errors that keep the editor from a successful cut: 6 Ways Directors Screw Editors. This somewhat mirrors one of my earlier posts on a similar subject: Things Editors Wish Directors Would Do.
TCA Open House TV Spot